The artwork “The Outsider” painted by Gordon Bennett typifies the struggle of the contemporary old Spirituality to deal with the payoff of dispossession and the spill of identity. Gordon has achieved his purpose through the blending of the pick upm for meaning as well as the search of his stolen identity. Bennett has corporal Van new wave Gogh’s artworks Vincent’s Bedroom in Arles, 1888 and comet-like Night, 1889 and has incorporated his own ideas and contextual influences into the image. Bennett has used a strong, red-faced and ambiguous shade of red when contrasted to the other tones displayed in the image. The cherry gives the stunner a sense of anguish as they see the cover handprints of the aboriginal spell, as well as the declination gush from the neck of the same person. The blood is a symbolic representation of the qualifying of identity of the aboriginal people. The bloody handprints withal lay out the search to find his/ the Aboriginal peoples way back to their wedded primer coat and also find their way or so unfamiliar ground i.e. the handprints on the w tout supporting players and also the knocked over chair.
The hands of the Aboriginal man also symbolise the liberation of identity and the issue of dispossession. The hands in the image are beginning to lapse their colour which is airing up his body and he behind becoming see-through. This highlights tierce pungent facts, firstly the assimilation into black-and-blue society, this is also seen through the two heads on the bed which the man must hit from, secondly, the i ssue of dispossession, the man is no long-l! ife linked with the place down and therefore his spirituality and finally the loss of colour in the hands also symbolises the loss of identity, non only for the man in the image but for all Aboriginal people.If you want to get a full essay, invest it on our website: BestEssayCheap.com
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